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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Theoria: Historical Aspects of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1985, under the auspices of the University of North Texas College of Music. According to its website, "Theoria is a peer-reviewed journal on all aspects of history in music theory. This includes ...
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Music theory analyzes the pitch, timing, and structure of music. It uses mathematics to study elements of music such as tempo , chord progression , form , and meter . The attempt to structure and communicate new ways of composing and hearing music has led to musical applications of set theory , abstract algebra and number theory .
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. [1] Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and ...
Among his best-known works are the Musik-Lexikon (1882; 5th ed. 1899; Eng. trans., 1893–96), a complete dictionary of music and musicians, the Geschichte der musiktheorie im IX.-XIX. jahrhundert(1898), a history of music theory in Europe through the 19th century, the Handbuch der Harmonielehre, a work on the study of harmony, and the Lehrbuch ...
Caplin served as president of the Society for Music Theory from 2005 to 2007 and was its vice-president from 2001 to 2003. [1] His earlier work concentrated on the history of music theory, [2] but he is best known for a series of articles and two books on musical form in European music around 1800.