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House of the Orchard (Italian: Casa dei Cubicoli Floreali; also referred to as the Casa del Frutteto or the House of the Garden) is an ancient Roman residential structure located in the archaeological site of Pompeii. Situated on the south side of Via dell'Abbondanza, this house is notable for rich and decorative features.
Types of plants in Roman gardens can be determined from historical sources, wall frescoes depicting garden scenes, as well as pollen and root cavity analysis. Romans cultivated both local and imported plant species. [25] The most popular plants found in a typical Roman family's garden were pine trees, roses, cypress, rosemary, and mulberry trees.
Venus was the divine protector of Pompeii, and featured in many frescoes around the city. [15] The goddess of love, sex, and fertility, Venus was closely associated with eroticism and prostitution in ancient Rome. [16] The mural of Venus from Pompeii may have been a Roman copy of the then famous painting by Apelles which Lucian mentioned ...
Fascinating artworks have been uncovered in a new excavation at Pompeii, the ancient Roman city doomed and buried by Mount Vesuvius’s deadly eruption in AD79.. The most impressive discovery is ...
One house covered in erotic frescoes reopened to the public in January 2023 after being closed for 20 years while another fresco depicting an erotic scene from the Greek myth “Leda and the Swan ...
Portico and garden. The House of Julia Felix was a combination of indoor and outdoor areas built around atria, courtyards into which the main rooms opened, with enclosed gardens and private water supply; [8] Sections of the praedia allowed for indoor and outdoor seating with frescoes depicting landscapes of leisure and gardens.
The home was buried beneath the ash and debris that wiped out Pompeii when Mount Vesuvius erupted in 79 A.D. but elaborate frescoes painted onto its interior walls have remained largely intact.
Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.