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IV-V-I-VI chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
This remix coincided with the release of Virgin's Can You Dig It?: The Best of the Mock Turtles , to which this new remix was the sole single released to promote it. Steve Woof, head of EMI 's range marketing, commented that after Vodafone licensed the song, it gave the label "the perfect reason" to create a mid-price Best of the Mock Turtles ...
In the same year, Bini released "Cherry on Top", [9] followed by a sped-up and a slowed + reverb version of the song. A remix version was released on October 3, 2024, in collaboration with Indonesian singer Agnez Mo. [10] Apart from their own discography, Bini has also released songs in collaboration with other artists.
A remix of the song with Doja Cat featuring City Girls and Latto was released on September 4, 2020. "Do It" became the duo's first song to achieve major chart success in the US, becoming their first entry on the Billboard Hot 100, where it peaked at number 63. [2] Pitchfork ranked the song at number 15 on their list of the 100 Best Songs of ...
In a jazz band, these chord changes are usually played in the key of B ♭ [7] with various chord substitutions.Here is a typical form for the A section with various common substitutions, including bVII 7 in place of the minor iv chord; the addition of a ii–V progression (Fm 7 –B ♭ 7) that briefly tonicizes the IV chord, E ♭; using iii in place of I in bar 7 (the end of the first A ...
"1-2-3" (sometimes listed as "1, 2, 3") is a 1988 song by American singer and songwriter Gloria Estefan and the Miami Sound Machine. The song was written by the band's drummer and lead songwriter Enrique "Kiki" Garcia along with Estefan and appears on the multi-platinum album Let It Loose .
While the notes of a G 7 chord are G–B–D–F, jazz often omits the fifth of the chord—and even the root if playing in a group. [2] However, not all jazz pianists leave out the root when they play voicings: Bud Powell , one of the best-known of the bebop pianists, and Horace Silver , whose quintet included many of jazz's biggest names from ...
Lorde's vocals span a range of A 3 to E 5 and its chord progression follows a basic sequence of C–F sus2 –Am-F. [3] It is a synth-pop, electropop, electronic, and disco song, [4] which has influences of other genres such as dance, [5] electro house, [6] electronica, [7] and new wave music. [8]