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From 1901 to 1946, the American colonial regime affected Filipino theater. [1] On November 4, 1901 the Sedition Act was enacted in the Philippines. [2] With this law it was prohibited for any type of media or speech to go against the United States. [citation needed] During the 1930s Filipinos were exposed to western theater and western classics ...
Various nationalists have also critiqued the use of English or "Taglish" which is a mix of Tagalog and English in works of art and especially music. Once again, in the 1980s a large focus on American or Americanized pop style songs was seen as a way to dissolve or weaken true Filipino cultural in a neo-colonial period.
Colonial era – to the Civil War – During the Civil War – Late 19th century – 1900–1940 – 1950s – 1960s – 1970s – 1980s This is a timeline of music in the United States . It is divided into several parts.
The history of the Philippines from 1898 to 1946 is known as the American colonial period, and began with the outbreak of the Spanish–American War in April 1898, when the Philippines was still a colony of the Spanish East Indies, and concluded when the United States formally recognized the independence of the Republic of the Philippines on ...
This timeline of music in the United States covers the period from 1850 to 1879. It encompasses the California Gold Rush, the Civil War and Reconstruction, and touches on topics related to the intersections of music and law, commerce and industry, religion, race, ethnicity, politics, gender, education, historiography and academics.
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
The earliest popular Latin music in the United States came with rumba in the early 1930s, and was followed by calypso in the mid-40s, mambo in the late 1940s and early 1950s, chachachá and charanga in the mid-50s, bolero in the late 1950s and finally boogaloo in the mid-60s, while Latin music mixed with jazz during the same period, resulting ...
Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...