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Recitative is a dialogue between a (usually) solo voice and an instrument or instruments. Usually the voice and instrument (s) alternate, or share a chord while one continues. In this way the speech-like rhythm of the singer does not need to be coordinated and synchronized with the instrument (s). Recitative cadences: The dialog ends with the ...
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist [1] and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes ...
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm'); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.
Arioso. In classical music, arioso ([aˈrjoːzo]; also aria parlante[1] [ˈaːrja parˈlante]) is a category of solo vocal piece, usually occurring in an opera or oratorio, falling somewhere between recitative and aria in style. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody.
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the continuo group. A harpsichordist and a bassist play continuo for a ...
Renaissance music →. v. t. e. Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Opera and musicals. The term "through-composed" is also applied to opera and musical theater to indicate a work that consists of an uninterrupted stream of music from beginning to end, as in the operas of Wagner. This stands in contrast to the practice, as for example occurs in Mozart's Italian - and German-language operas, of having a ...
The form follows the basic pattern: Introductory music, usually instrumental; Recitative or dialogue to an initial or basic tempo; Adagio/ Cavatina/ "Pezzo concertato" "Tempo di mezzo" (middle movement, interlude, often sounds as if it is interrupting the action with entry of a third party) [5]