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106 × 76 mm. B56. Virgin and Child Standing on a Crescent Moon. 1498–1500. Copper engraving. 107 × 77 mm. B30. The Man of Sorrows with Arms Outstretched. 1500.
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving. The difference is in the use of tools, and that the raised ridge along the furrow is not scraped or ...
Etching by Daniel Hopfer, who is believed to have been the first to apply the technique to printmaking. Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. [1] In modern manufacturing, other chemicals may be used on other ...
After returning from World War I, Pescheret began experimenting with etching striking his first plate in 1926. [6] He was admitted to the Chicago Society of Etchers in 1928. By the 1920s he was attending the Art Institute of Chicago , studying interior design under French artist and muralist Albert François Fleury [ Wikidata ] . [ 7 ]
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half-length: 1631 B349: 2: The artist's mother with her hand on her chest: small bust: 1631 B355: 7: Bust of an old woman in a furred cloak and heavy ...
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