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Nero's practical contributions to Rome's governance focused on diplomacy, trade, and culture. He ordered the construction of amphitheaters , and promoted athletic games and contests . He made public appearances as an actor, poet, musician, and charioteer , which scandalized his aristocratic contemporaries as these occupations were usually the ...
The Theatre of Nero (Latin: Theatrum Neronis) [1] was the private theatre erected in Rome by Nero, the Roman emperor between AD 53 and AD 68. [ 2 ] It was known only from literary sources until its remains were discovered in 2020.
The Classical Journal: explores the history behind the legend of Nero playing the fiddle as Rome burned. Wishart, David. 1996. Nero: Nero's reign seen through the eyes of Titus Petronius. Massie, Allan. 1999. Nero's Heirs: The death of Nero and the civil war that followed. Holt, Tom. 2003. A Song for Nero: Nero's double is killed, and the real ...
The Roman elite despised Emperor Nero’s “artistic endeavors,” a historian said. Nero’s theater — where audience may have sat on ‘pain of death’ — discovered in Rome Skip to main ...
According to historian Tacitus, work began on the amphitheater in 57 AD, the year of Nero's second consulship with Lucius Calpurnius Piso.Others argue that it was built after the Great Fire of Rome in 64 since Nero wanted to replace the amphitheater of Statilius Taurus, then the only stone amphitheater in Rome, which had been destroyed in the fire.
It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea.
The Colossus of Nero (Colossus Neronis) was a 30-metre (98 ft) bronze statue that the Emperor Nero (37–68 AD) created in the vestibule of his Domus Aurea, the imperial villa complex which spanned a large area from the north side of the Palatine Hill, across the Velian ridge to the Esquiline Hill in Rome. It was modified by Nero's successors ...
Nero offered his gardens for the spectacle, and was exhibiting a show in the circus, while he mingled with the people in the dress of a charioteer or stood aloft on a car. Hence, even for criminals who deserved extreme and exemplary punishment, there arose a feeling of compassion; for it was not, as it seemed, for the public good, but to glut ...