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And that too was highly appropriate in symbolic application to Mr. Monteux's career. [13] Robert Craft conducted it on May 22, 1955, [14] at the Ojai Music Festival, where it was also received warmly by audiences and critics. [15] [16] Programs celebrating Stravinsky's 80th birthday in 1962 included performances of the Greeting Prelude.
Monteux during his conductorship of Les Ballets Russes, c. 1912. Pierre Benjamin Monteux (pronounced [pjɛʁ mɔ̃.tø]; 4 April 1875 – 1 July 1964) [n 1] was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in ...
"Review: Igor Stravinsky. Symphonies d'instruments à vent: Faksimileausgabe des Particells und der Partitur der Erstfassung (1920)". Notes, Second Series 49, No. 4 (June): 1617–1621. Van den Toorn, Pieter C. 1998. "Metrical Displacement in Stravinsky". Mitteilungen der Paul Sacher Stiftung, no. 11 (April): 24–28. Walsh, Stephen. 1996.
This list is sorted by numbers assigned to Stravinsky's works in Helmut Kirchmeyer's K Catalog. The Kirchmeyer-Verzeichnis (shortened as "K") Catalog is an annotated catalog of works by Stravinsky, started in the 1950s originally placed in appendixes of other works about Stravinsky. The first edition of the catalog was published in 2002.
The Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra) was awarded from 1959 to 2011. From 1967 to 1971, and in 1987, the award was combined with the award for Best Instrumental Soloist Performance (without orchestra) and awarded as the Grammy Award for Best Classical Performance – Instrumental Soloist or Soloists (with or without orchestra).
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées . It was presented by Sergei Diaghilev 's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux .
Canticum Sacrum ad Honorem Sancti Marci Nominis is a 17-minute choral-orchestral piece composed in 1955 by Igor Stravinsky (1882–1971) in tribute "To the City of Venice, in praise of its Patron Saint, the Blessed Mark, Apostle."
Van den Toorn, Pieter C. 1983. The Music of Igor Stravinsky. New Haven and London: Yale University Press. ISBN 0-300-02693-5. Wood, James R. 2007. "A Historical and Analytical Examination of the Stravinsky Octet for Wind Instruments, with a Guide to Performance Preparation of the Two Trumpet Parts". DMA diss. Denton: University of North Texas.