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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
[28] Windows can also be covered with decals spaced no more than 5 cm horizontally or 10 cm vertically to prevent collisions. [29] It has been found that silhouettes of predatory birds posted on windows do not significantly decrease collision rates. This is because there is too much exposed glass, which the bird can try to fly through.
A jalousie window (UK: / ˈ dʒ æ l ʊ z iː /, US: / ˈ dʒ æ l ə s iː /), louvred window (Australia, New Zealand, Pacific Islands, Southeast Asia, United Kingdom), jalousie, or jalosy [1] is a window composed of parallel glass, acrylic, or wooden louvres set in a frame. The louvres are joined onto a track so that they may be tilted open ...
A paned window. In architecture, a paned window is a window that is divided into panes of glass, usually rectangular pieces of glass that are joined to create the glazed element of the window. Window panes are often separated from other panes (or "lights") by lead strips, or glazing bars, moulded wooden strips known as muntins in the US. [1]
A window is an opening in a wall, door, roof, or vehicle that allows the exchange of light and may also allow the passage of sound and sometimes air.Modern windows are usually glazed or covered in some other transparent or translucent material, a sash set in a frame [1] in the opening; the sash and frame are also referred to as a window. [2]
Clayton and Bell excelled in their use of colour. The designing of a stained-glass window that "works" from a visual point of view is a more complex matter than simply drawing up a cartoon and painting the colours in. What works on paper does not necessarily work when it has the added element of light streaming through it.
The traditional design is used in cloisters, triforiums, and stained glass windows of famous buildings such as Notre-Dame, Salisbury Cathedral, and Regensburg Cathedral. [27] Stone cut-out hexafoils are displayed in a plate tracery style in the Salisbury Cathedral, creating a pattern along the triforium.
Unsigned, the painting is attributed to de Arellano due to the wide variety of flowers scientifically portrayed, the precise underdrawing and the quite free arrangement of them with the petals (especially those of the red and white tulip at bottom left) seemingly troubled by a breeze, though the inclusion of a dahlia and orange blossom is rare ...