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Speculative fiction as a category ranges from ancient works to paradigm-changing and neotraditional works of the 21st century. [17] [18] Characteristics of speculative fiction have been recognized in older works whose authors' intentions, or in the social contexts of the stories they portray, are now known.
Science fiction (sometimes shortened to SF or sci-fi) is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It often explores human responses to changes in science and technology.
Speculative fiction has historically framed colonization as a contest with winners and losers, but it’s never been that simple. Human beings are syncretic; some element of who and what we were ...
Fantasy is a genre of speculative fiction which involves themes of the supernatural, magic, and imaginary worlds and creatures. [1] [2]Its roots are in oral traditions, which became fantasy literature and drama.
Slipstream is a literary genre or category of speculative fiction that blends together science fiction, fantasy, and literary fiction [1] or does not remain in conventional boundaries of genre and narrative.
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. [1] Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction.
The New Weird is a literary genre that emerged in the 1990s through early 2000s with characteristics of weird fiction and other speculative fiction subgenres. M. John Harrison is credited with creating the term "New Weird" in the introduction to The Tain in 2002. [1]