Search results
Results from the WOW.Com Content Network
The serpent in the skull is always making its way through the socket that was the eye: knowledge persists beyond death, the emblem says, and the serpent has the secret. The late medieval and Early Renaissance Northern and Italian painters place the skull where it lies at the foot of the Cross at Golgotha (Aramaic for the place of the skull).
The skull, rendered in anamorphic perspective, another invention of the Early Renaissance, is meant to be a visual puzzle as the viewer must approach the painting from high on the right side, or low on the left side, to see the form as an accurate rendering of a human skull.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Holbein's The Ambassadors (1533) is a complex work whose iconography remains the subject of debate.. Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style.
Garlanded bucrania on a frieze from the Samothrace temple complex Bucranium on the frieze of the Temple of Vespasian and Titus in Rome.. Bucranium (pl. bucrania; from Latin būcrānium, from Ancient Greek βουκράνιον (boukránion) ' ox's head ', referring to the skull of an ox) was a form of carved decoration commonly used in Classical architecture.
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
The cultural and artistic events of Italy during the period 1500 to 1599 are collectively referred to as the Cinquecento (/ ˌ tʃ ɪ ŋ k w ɪ ˈ tʃ ɛ n t oʊ /, [1] [2] [3] Italian: [ˌtʃiŋkweˈtʃɛnto]), from the Italian for the number 500, in turn from millecinquecento, which is Italian for the year 1500.
The Affe mit Schädel ("Ape with skull") is a famous work by the late-19th-century German sculptor Hugo Rheinhold. The statuette is otherwise known as the Affe, einen Schädel betrachtend ("Monkey viewing or contemplating a skull"). It was first exhibited in 1893 at the Große Berliner Kunstaustellung (Great Berlin Art Exhibition). [1]