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Native American Rugs, Blankets, and Quilts; American Indian Featherwork; The Center for Traditional Textiles of Cusco “The Mechanics of the Art World,” Vistas: Visual Culture in Spanish America, 1520-1820. "PreColumbian Textile Conference Proceedings VII" (2016) "PreColumbian Textiles in the Ethnological Museum in Berlin" (2017)
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
Traditional Native American clothing is the apparel worn by the indigenous peoples of the region that became the United States before the coming of Europeans. Because the terrain, climate and materials available varied widely across the vast region, there was no one style of clothing throughout, [1] but individual ethnic groups or tribes often had distinctive clothing that can be identified ...
Native American women were at risk for rape whether they were enslaved or not; during the early colonial years, settlers were disproportionately male. They turned to Native women for sexual relationships. [38] Both Native American and African enslaved women suffered rape and sexual harassment by male slaveholders and other white men. [38]
Native American fashion is the design and creation of high ... Expanding into clothing with a focus on classic cuts and simple designs ... Hopi pottery patterns, ...
Glazes are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well. [2] Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit ...
Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand-fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam.
Porcupine quills often adorned rawhide and tanned hides, but during the 19th century, quilled birch bark boxes were a popular trade item to sell to European-Americans among Eastern and Great Lakes tribes. Quillwork was used to create and decorate a variety of Native American items, including those of daily usage to Native American men and women.
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