Search results
Results from the WOW.Com Content Network
Duke Ellington – piano; Willie Cook, Fats Ford, Ray Nance, Clark Terry - trumpet; Lawrence Brown, Booty Wood, Britt Woodman - trombone; Juan Tizol - valve trombone; Jimmy Hamilton - clarinet, tenor saxophone
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score. The score image in the background was taken from the beginning of the first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice, Italy in 1501 by Ottaviano Petrucci, the library's namesake. [5] [non-primary source needed]
Pages in category "Composers with IMSLP links" The following 200 pages are in this category, out of approximately 4,170 total. This list may not reflect recent changes .
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
The Nutcracker Suite is a recording by American guitarist Tim Sparks, released in 1993. [1] It consists of both an adaptation for acoustic guitar of Tchaikovsky's suite from his 1892 ballet The Nutcracker and the Balkan Dreams Suite, a suite of songs based on melodies and ideas of Béla Bartók.
{{IMSLP|author=composer's name as specified at IMSLP|cname=name to be displayed}} |author= is the part behind the colon of the IMSLP composer category page. |cname= is an optional parameter for the name to be displayed; if not set, the page name is used. |descr= is an optional parameter for customizing the text displayed. If not informed, "Free ...
The final song ends in a major key and a mood of transcendence. The cello melody in the postlude to " In diesem Wetter, in diesem Braus " ( mm. 129–133) alludes to the first subject of the finale of Mahler's Symphony No. 3 (1895/96), a movement titled "What love tells me" (" Was mir die Liebe erzählt ").