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Vitreography is a fine art printmaking technique that uses a 3 ⁄ 8-inch-thick (9.5 mm) float glass matrix instead of the traditional matrices of metal, wood or stone. A print created using the technique is called a vitreograph.
Inkjet transfer or inkjet photo transfer is a technique to transfer a photograph or graphic, printed with an inkjet printer onto textiles, cups, CDs, glass and other surfaces. [1] [2] A special transfer sheet, usually ISO A4 size, is printed on with a regular inkjet printer. The photo has to be printed as a mirror image (except for some ...
Both involve the transfer of ink from a plate to the paper, canvas, or other surface that will ultimately hold the work of art. In monoprinting, an artist creates a reusable template of the intended image. Templates may include stencils, metal plates and flat stones. This form of printing produces multiple prints from the same template.
c. 1775, Staffordshire, Victoria & Albert Museum A steel roller for transfer printing with the resulting end product. Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1]
These prints from the original plate are called "ghost prints." A print made by pressing a new print onto another surface, effectively making the print into a plate, is called a "cognate". Stencils , watercolor , solvents , brushes , and other tools are often used to embellish a monotype print.
Digital printing is a method of printing from a digital-based image directly to a variety of media. [1] It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers.
When a photographer takes a picture then digitally transfers this onto a canvas via inkjet printing, he then stretches this over a stretcher frame. By wrapping the canvas all the way around the frame, known as gallery wrap , the photographer can then hang his picture on the wall, already framed.
The plate's ground side is then dipped into acid, or the acid poured onto it. The acid bites into the surface of the plate where it was exposed. Biting is a printmaking term to describe the acid's etching, or incising, of the image; its duration depends on the acid strength, metal's reactivity, temperature, air pressure and the depth desired. [ 8 ]
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