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Northern Italy was a leading center of Renaissance music, which broadly covered the 15th and 16th centuries of Europe. [4] Regional courts, ruled by competing families—such as the Este, Gonzaga, and Medici—patronized secular music immensely, commissioning compositions and forming large ensembles. [5]
Pietro Vinci (c. 1525 [1] – after 14 June 1584 [2]) was an Italian composer of late Renaissance music. Vinci was born in Nicosia. [3] He was active in Bergamo and then in various Sicilian cities as Maestro di cappella. He published several books of madrigals and church music from 1561 to 1584.
Renaissance Music. New York: W. W. Norton & Company. ISBN 0-393-97169-4. Crocker, Richard L (1966). A History of Musical Style. New York: McGraw-Hill. ISBN 0-486-25029-6. Gallo, Alberto (1995). Music in the Castle: Troubadours, Books and Orators in Italian Courts of the Thirteenth, Fourteenth and Fifteenth Centuries. Chicago: University of ...
Animals in the Music of the Middle Ages - Nuovo Era 6970, reedited with new track order as Cantus 9601; 1992 - Speculum amoris. Lyrique d'Amour médiéval, du Mysticisme à l'érotisme - Arcana A336; 1993 - Guinevere, Yseut, Melusine. The heritage of Celtic womanhood in the Middle Ages - Giulia "Musica Antiqua" GS 201007; 1993 - O Tu Chara ...
The early lauda was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence , during the Albigensian Crusade in the early 13th century, and settled in northern Italy where their music was influential ...
Very little Italian music remains from the 13th century, so the immediate antecedents of the music of the Trecento must largely be inferred. The music of the troubadors, who brought their lyrical, secular song into northern Italy in the early 13th century after they fled their home regions—principally Provence—during the Albigensian Crusade, was a strong influence, and perhaps a decisive ...
Vincenzo Ruffo (c. 1508 – 9 February 1587) was an Italian composer of the Renaissance.He was one of the composers most responsive to the musical reforms suggested by the Council of Trent, especially in his composition of masses, and as such was an influential member of the Counter-Reformation.
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
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