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The Quito School (Escuela Quiteña) is a Latin American colonial artistic tradition that constitutes essentially the whole of the professional artistic output developed in the territory of the Royal Audience of Quito – from Pasto and Popayán in the north to Piura and Cajamarca in the south – during the Spanish colonial period (1542–1824 ...
This is a list of paintings and drawings by the 17th-century Spanish artist Diego Velázquez. Velázquez is estimated to have produced between only 110 and 120 known canvases. [1] Among these paintings, however, are many widely known and influential works. All paintings are in oil on canvas unless noted.
Spanish Baroque painting refers to the style of painting which developed in Spain throughout the 17th century and the first half of the 18th century. [1] The style appeared in early 17th century paintings, and arose in response to Mannerist distortions and idealisation of beauty in excess, appearing in early 17th century paintings.
Another period of Spanish Renaissance sculpture, the Baroque, encompassed the last years of the 16th century and extended into the 17th century until reaching its final flowering the 18th, developing a truly Spanish school and style, of sculpture, more realistic, intimate and independently creative than that of the previous one which was tied ...
Virgin of Carmel Saving Souls in Purgatory, Circle of Diego Quispe Tito, 17th century, collection of the Brooklyn Museum The Cusco school (escuela cuzqueña) or Cuzco school, was a Roman Catholic artistic tradition based in Cusco, Peru (the former capital of the Inca Empire) during the Colonial period, in the 16th, 17th and 18th centuries.
New Spanish Baroque, also known as Mexican Baroque, refers to Baroque art developed in the entire territories that once formed the Viceroyalty of New Spain.During this period, artists of New Spain experimented with expressive, contrasting, and realistic creative approaches, making art that became highly popular in New Spanish society.
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