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The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and the "road to Damascus" event) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early ...
The Damascus Straight Street c. 1900. Straight Street, from the Latin Via Recta (Arabic: الشارع المستقيم al-Shāriʿ al-Mustaqīm), known as the Street called Straight (Greek: τὴν ῥύμην τὴν καλουμένην εὐθεῖαν) in the New Testament, is the old decumanus maximus, the main east-west Roman road, of Damascus, Syria. [1]
The road to Damascus from the Lebanese border is lined with army bases and checkpoints, and a trip on Monday morning hinted at what appeared to be a total collapse in the army’s ranks as ...
In 2013, the Assad regime launched rockets carrying the deadly nerve agent sarin into the Ghouta district of Damascus, killing more than 1,400 people, according to the U.S. Department of State ...
The Citadel of Damascus is located in the northwest corner of the Old City. The Damascus Straight Street (referred to in the conversion of St. Paul in Acts 9:11), also known as the Via Recta, was the decumanus (east–west main street) of Roman Damascus, and extended for over 1,500 m (4,900 ft). Today, it consists of the street of Bab Sharqi ...
Hundreds of people appear to have fled the central Syrian city of Homs overnight into Friday, as anti-regime rebels push further south on the road to the capital Damascus.
An Associated Press journalist in Damascus reported seeing groups of armed residents along the road in the outskirts of the capital and hearing sounds of gunshots. The city’s main police headquarters appeared to be abandoned, its door left ajar with no officers outside.
The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.