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"Gee Whiz (Look at His Eyes)" is a song written and performed by Carla Thomas. It reached #5 on the U.S. R&B chart and #10 on the U.S. pop chart in 1961. [1] It was featured on her 1961 album Gee Whiz. [2] The song was produced by Chips Moman. The song ranked #62 on Billboard magazine's Top 100 singles of 1961. [3]
Album cover from Bernadette Peters (painting by Vargas, 1980) Peters has recorded six solo albums and several singles. [102] Three of her albums have been nominated for the Grammy Award. Peters's 1980 single "Gee Whiz", remaking Carla Thomas' 1960 Memphis soul hit, reached the top forty on the U.S. Billboard pop singles charts. [103]
Peters in 2008. Bernadette Peters (née Lazzara; born February 28, 1948) is an American actress, singer, and children's book author.. She is a critically acclaimed Broadway performer, having received seven nominations for Tony Awards, winning two (plus an honorary award), and nine nominations for Drama Desk Awards, winning three.
Bernadette Peters is honored to be a gay icon. “I'm so proud that — that I am part of that, and that I was picked out, singled out to do that,” Peters, 76, exclusively told Us Weekly last month.
Gee Whiz or variations may refer to: "Gee Whiz (Look at His Eyes)", a song performed by Carla Thomas (1960) and Bernadette Peters (1980) "Gee Whiz", an episode of Aqua Teen Hunger Force TV series; Gee Whiz-z-z-z-z-z-z, a 1956 Warner Bros. cartoon in the Looney Tunes series; Gee-whiz graph, a misleading graph in statistics; REVAi, known as REVA ...
The Tony-winning Broadway icon Bernadette Peters has long been considered one of the foremost performers of composer Stephen Sondheim’s work. But as Peters revealed in the latest episode of ...
Bernadette Peters is giving dessert lovers everywhere a healthy serving of nostalgia. The Broadway legend, 76, starred in a series of charming TV commercials for Breyers ice cream in 1992. More ...
Curley McDimple is a musical with music and lyrics by Robert Dahdah and book by Robert Dahdah and Mary Boylan. The play is a spoof of Depression-era Shirley Temple movies and was presented in a black and white design. This was one of two musicals in which Bernadette Peters appeared that spoofed some aspect of Hollywood—the other was Dames at ...