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Poetic justice describes an obligation of the dramatic poet, along with philosophers and priests, to see that their work promotes moral behavior. [10] 18th-century French dramatic style honored that obligation with the use of hamartia as a vice to be punished [10] [11] Phèdre, Racine's adaptation of Euripides' Hippolytus, is an example of French Neoclassical use of hamartia as a means of ...
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.
Polonius is a character in William Shakespeare's play Hamlet. He is the chief counsellor of the play's ultimate villain, Claudius , and the father of Laertes and Ophelia . Generally regarded as wrong in every judgment he makes over the course of the play, [ 1 ] Polonius is described by William Hazlitt as a "sincere" father, but also "a busy ...
In Hamlet the development of the plot or the action are determined by the unfolding of Hamlet's character. The soliloquies do not interrupt the plot, instead they are highlights of each block of action. The plot is the developing revelation of Hamlet's view of what is "rotten in the state of Denmark."
The Player King, like Hamlet, is an erratic melancholic; like King Hamlet, his character in The Murder of Gonzago is poisoned via his ear while reclining in his orchard. The Player Queen, like Ophelia, attends to a character in The Murder of Gonzago that is "so far from cheer and from [a] former state"; like Gertrude, she remarries a regicide.
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Although, to Bromwich, Coleridge's criticism of Hamlet contained a greater number of original ideas, including the general assessment of Prince Hamlet's character, Hazlitt's view is notable in that it does not, like Coleridge, reduce that character to a single dominating flaw, his inability to act. In one of his lectures on Shakespeare ...