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Both appear on Pink Floyd's second album, A Saucerful of Secrets, [10] the first of several to feature cover artwork by Hipgnosis. [11] In 1969, Pink Floyd released a soundtrack album, More, and a combined live and studio album, Ummagumma. [12] Atom Heart Mother (1970) was a collaboration with Ron Geesin, featuring an orchestra and choir. [13]
Pink Floyd are an English rock band who recorded material for fifteen studio albums, three soundtrack albums, three live albums, eight compilation albums, four box sets, as well as material that, to this day, remains unreleased during their five decade career. There are currently 222 songs on this list.
In 1968, Pink Floyd returned to Abbey Road Studios to complete their second album, A Saucerful of Secrets, which they had begun in 1967 under Barrett's leadership. The album included Barrett's final contribution to their discography, " Jugband Blues ".
Relics (subtitle: A Bizarre Collection of Antiques & Curios) is a 1971 compilation album by English rock band Pink Floyd.The album was released in the UK on 14 May 1971 and in the US on the following day.
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. [3] The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios (now Abbey Road Studios) and Morgan Studios.
Shine On is a nine-CD box set by English rock band Pink Floyd, released in 1992 through EMI Records in the UK and Columbia Records in the US, to coincide with Pink Floyd's 25th anniversary as a recording and touring band. All CDs were digitally remastered.
The album was released by Pink Floyd's former American label, Capitol Records, to compete with their then-current studio album The Final Cut.The album is particularly notable for including the track "Embryo", an outtake from the Ummagumma album that later became a concert staple in a greatly elongated form. [4]
"Flapdoodle Dealing" is an instrumental song performed by the Barrett-era Pink Floyd in 1966. [5] [6] Roger Waters is thought to have come up with its title. Pink Floyd never recorded a studio version of the song, [6] however, a version was recorded live at a concert at The All Saints Church Hall in London, England, on 14 October 1966. [5]
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