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The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape (or directly to a digital file). [1] The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems (e.g., Final Cut Pro, Avid, etc.).
Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
Reverse telecine is crucial when acquiring film material into a digital non-linear editing system since these machines produce edit decision lists which refer to specific frames in the original film material. When video from a telecine is ingested into these systems, the operator usually has available a telecine trace, in the form of a text ...
Movies, television shows, social media, printed images 2D to 3D video conversion (also called 2D to stereo 3D conversion and stereo conversion ) is the process of transforming 2D ("flat") film to 3D form, which in almost all cases is stereo , so it is the process of creating imagery for each eye from one 2D image.
To convert 24 frame/s film to 29.97 frame/s (presented as 59.94 interlaced fields per second) NTSC, a process called "3:2 pulldown" is used, in which every other film frame is duplicated across an additional interlaced field to achieve a framerate of 23.976 (the audio is slowed imperceptibly from the 24 frame/s source to match). This produces ...
Video converters are computer programs that can change the storage format of digital video. They may recompress the video to another format in a process called transcoding , or may simply change the container format without changing the video format.
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