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"End of Beginning" is a song by American actor and singer-songwriter Joe Keery, under his stage name Djo. It was independently released on September 16, 2022, as track six of his second studio album Decide and later released as a single on March 1, 2024. The song gained popularity in early 2024 through TikTok and YouTube.
The 31-year-old Stranger Things actor -- who shares music under the moniker DJO -- has recently found himself the subject of a mega-viral song, "End of Beginning," on TikTok.
It was also featured in the end credits of the film This Is the End. On 11 June, coinciding with the album's launch, Black Sabbath released a full performance video from the CSI season 13 finale of length 8:20. The single peaked at the number 38 in US Mainstream Rock chart. "End of the Beginning" was ranked the 21st best Black Sabbath song by ...
Joe Keery and Taylor Swift Getty Images (2) Joe Keery got a confidence boost from one of the best possible sources when Taylor Swift praised his song “End of Beginning.” Keery, 32, recalled ...
The End of the Beginning (God Is an Astronaut album) or the title song, 2002; The End of the Beginning (Judie Tzuke album), 2004; The End of the Beginning (Like a Storm album) or the title song, 2009; The End of the Beginning, 2003; The End of the Beginning, by Richie Havens, 1976; The End of the Beginning, a video by Sabbat, 1990
"End of the Line" is a song by the British-American supergroup the Traveling Wilburys. It was the final track on their debut album Traveling Wilburys Vol. 1 , released in October 1988. It was also issued in January 1989 as the band's second single.
"Funky Nassau" is a song written by Ray Munnings and Tyrone Fitzgerald and performed by the Beginning of the End. The song was recorded at Criteria Studios in Miami, engineered by Chuck Kirkpatrick, produced by Marlin Productions and arranged by the Beginning of the End.
"The End of the World" is a pop song written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team. They wrote the song for American singer Skeeter Davis, and her recording of it was highly successful in the early 1960s, reaching the top five on four different charts, including No. 2 on the main Billboard Hot 100.