Search results
Results from the WOW.Com Content Network
Isochronic tones can quantitatively be distinguished by both the frequency or pitch of the tone itself, and by the interval or frequency of repetition of the tone. While listening to isochronic tones is a technique often employed in the theoretical practice of brainwave entrainment, reliable scientific research into the effectiveness of this ...
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Brainwave entrainment is a colloquialism for 'neural entrainment', [25] which is a term used to denote the way in which the aggregate frequency of oscillations produced by the synchronous electrical activity in ensembles of cortical neurons can adjust to synchronize with the periodic vibration of external stimuli, such as a sustained acoustic ...
Guidonian hand, from 1274 Biblioteca Ambrosiana. Solmization is a mnemonic system in which a distinct syllable is attributed to each note of a musical scale.Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.
The sound used to score the #Mosaic trend uses a 639 Hz solfeggio frequency. According to Meditative Mind, "when the mind and body are in tune to solfeggio frequencies, you can easily achieve a ...
See pitch for a discussion of historical variations in frequency. It has enharmonic equivalents of F (F-double sharp) and A (A-double flat). In the medieval period the musical note G was known as gesolreut within the Guidonian hand hexachord system.
Diagram of beat frequency. In acoustics, a beat is an interference pattern between two sounds of slightly different frequencies, perceived as a periodic variation in volume whose rate is the difference of the two frequencies. With tuning instruments that can produce sustained tones, beats can be readily recognized.
The Solfeggio Frequences are true, regardless of "correlations" with ideas you disagree with. Until you can show that these frequencies are wrong, they should be left in. Michael.Pohoreski 01:15, 14 January 2006 (UTC) [ reply ]