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Madonna and Child is an early painting by the baroque painter Artemisia Gentileschi. It was painted around 1613, when Artemisia was around 20 years old. It currently hangs in the Galleria Spada in Rome. [1]
Madonna and Child in a Landscape: 1622 Burghley House: 27.9 × 20.3 cm. MET (38) Madonna and Child in a landscape: Musei di Strada Nuova: 30.8 x 23.4 cm. SR117 MET (38 (related pictures:Palazzo Rosso)) Judith and Her Maidservant with the Head of Holofernes: 1624 Wadsworth Atheneum: 134.6 × 157.5 cm. 1949.52 MET (39) Young Woman Playing a ...
Virgin and Child with a Rosary (Italian: Madonna e Bambino con rosario) is one of the last known paintings by the Italian artist Artemisia Gentileschi. Small in size and painted with oil on copper, it was completed in 1651. It was part of the Spanish royal collection and currently hangs in the El Escorial collection, in Spain.
Artemisia Lomi Gentileschi was born in Rome on 8 July 1593, although her birth certificate from the Archivio di Stato indicates she was born in 1590. She was the eldest child of Prudenzia di Ottaviano Montoni and the Tuscan painter Orazio Gentileschi. [13] Orazio Gentileschi was a painter from Pisa.
Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists. After 1600, he came under the influence of the more naturalistic style of Caravaggio.
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's The Language of Painting.
In 1620, Gentileschi returned to the town where her father Orazio lived, Genoa, making her stay at the academy between the years 1616 and 1620, when the Penitent Magdalene was painted. [7] A similar work was created by Artemisia in the years 1620-1622, Mary Magdalene in Ecstasy . [ 5 ]
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