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The Five Mystical Songs are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. [1] The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection The Temple: Sacred Poems.
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
Five Mystical Songs for baritone, chorus, and orchestra, settings of George Herbert (1911) Fantasia on Christmas Carols for baritone, chorus, and orchestra (1912); arranged also for reduced orchestra of organ, strings, percussion) Five English Folk Songs freely arranged for Unaccompanied Chorus (1913) 1. The Dark Eyed Sailor; 2. The Spring Time ...
In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. [2] In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory.
On Wenlock Edge is a song cycle composed in 1909 by Ralph Vaughan Williams for tenor, piano and string quartet. [1] The cycle comprises settings of six poems from A. E. Housman's 1896 collection A Shropshire Lad. A typical performance lasts around 22 minutes. [2]
"Whither Must I Wander" is a song composed by Ralph Vaughan Williams whose lyrics consist of a poem by Robert Louis Stevenson.The Stevenson poem, entitled Home no more home to me, whither must I wander?, [1] forms part of the collection of poems and songs called Songs of Travel and Other Verses [2] published in 1895, [3] and is originally intended to be sung to the tune of "Wandering Willie ...
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