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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
It is the one thing that cannot be learnt from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars." [ 58 ] Baroque literary theorist Emanuele Tesauro defines the metaphor "the most witty and acute, the most strange and marvelous, the most pleasant and useful, the most ...
Metaphors and similes are two types of figurative analogies. In the course of analogical reasoning, figurative analogies become weak if the disanalogies of the entities being compared are relevant—in the same way that literal analogies become weak. Consider the disanalogies involving two cars in a literal analogy (the same principle ...
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
Isocolon: use of parallel structures of the same length in successive clauses. Internal rhyme: using two or more rhyming words in the same sentence. Litotes: an understatement achieved by negating the opposite statement, such as "not too bad" for "very good", or "she is not a beauty queen" for "she is ugly", yielding an ironical effect.
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s. In his 1956 essay, "The Metaphoric and Metonymic Poles", Roman Jakobson describes the couple as representing the possibilities of linguistic selection (metaphor) and combination (metonymy); Jakobson's work became important for such French ...
For most poets—even the plain-speaking Herbert—metaphor is the fundamental means of communicating complexity succinctly. Some metaphors become so widely used that they are widely recognised symbols and these can be identified by using a specialist dictionary. Allegorical verse uses an extended metaphor to provide the framework for the whole ...
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