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Duncan Rathbun Hannah (August 21, 1952 – June 11, 2022) was an American visual artist and author. Born in Minneapolis , he attended The Blake School [ 1 ] as a boy, and later Bard College , before transferring to the Parsons School of Design , where he graduated in 1975.
Her entry into this genre was Amos Poe's underground Unmade Beds (1976), a black and white 16 mm remake of Godard's Breathless which she acted in alongside filmmaker Eric Mitchell, Blondie singer Debbie Harry, and artist Duncan Hannah. She also appeared in such low-budget and low-audience films as Rome '78, The Long Island Four, and Snakewoman. [4]
Unmade Beds is a 1976 American independent No Wave film directed by Amos Poe starring Duncan Hannah, Eric Mitchell, Patti Astor, Kitty Sondern, and Debbie Harry. [1]The black and white film was shot by Vincente Galindez in the style of guerrilla filmmaking with available light in a car, in city parks and on the streets of New York City on a shoestring budget with a small cast and crew.
Walter Becker, musician and co-founder of Steely Dan; Ran Blake, pianist; Knox Chandler, musician; Frances Bean Cobain, musician and daughter of the late Kurt Cobain from Nirvana (band)
Richard Demarco (born 1930), artist and promoter of visual and performing arts; David Abercrombie Donaldson (1916–1996), painter and limner to Her Majesty The Queen; Margaret Cross Primrose Findlay (1902–1968), sculptor and modeller; Ian Hamilton Finlay (1925–2006), sculptor and installation artist; Hannah Frank (1908–2008), artist and ...
Hannah Kobayashi was declared a “voluntary missing person” by the Los Angeles Police Department (LAPD) after evidence showed she intentionally left Los Angeles for Mexico. Despite raising ...
The Sienese Shredder was launched in 2006 by New York City-based artists Brice Brown and Trevor Winkfield. They sought to bring attention to artists, art, poetry and writing that had been largely neglected or forgotten. Often this work was completed in the 19th and early 20th centuries. Mark Shortliffe took over as co-editor in 2009 for issue 4.
nationalism and developing expectations becomes more of an art than science. No macro or Google algorithm can entirely value the risks inherent in the “unknown unknowns”. They will always be missing an unquantifiable variable and the data will be skewed by periods of euphoria or fear.