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Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Michelangelo for all his immense fame isn’t the most immediately lovable of artists. People crowd to stare in awe at his iconic statue David and mega-fresco The Last Judgement in the Sistine ...
The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich ...
Michelangelo returned to the chapel to create The Last Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services. [1] [2]
Michael Bury and Katherine Lockett, 'Béatrizet's Last Judgement, after Michelangelo, in the Courtauld Gallery', Print Quarterly, XXVIII, 2011, 266-71 This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Beatrizet, Nicolas". In Graves, Robert Edmund (ed.).
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
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An MTA cleaner allegedly slashed a man who confronted him for pouring bleach near the spot where he’d been sleeping on a Brooklyn subway platform early Monday, cops and sources said.