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Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
A watercolor painting depicting the pantheon of the Four Palaces denomination in Vietnam's indigenous Đạo Mẫu shamanic belief.. Four Palaces (Vietnamese: Tứ Phủ; chữ Hán: 四府) is a major denomination of the Đạo Mẫu, an indigenous shamanic belief in Vietnam.
Diorama of a lên đồng inside the Vietnamese Women's Museum, Hanoi The costume of god Chầu Đệ tam Thoải phủ in lên đồng ritual. The most prominent ritual of Đạo Mẫu is the ceremony of hầu bóng (lit.
Mẫu Thoải in a costume of the Lê dynasty (a painting by a modern artist) Mẫu Thoải (Chữ Hán: 母水, or Thủy Cung Thánh Mẫu (Chữ Hán: 水宮聖母) is a goddess in Vietnamese non-Buddhist traditional religion. [1] The goddess features in Chầu văn religious ceremonies and music.
Mẫu Thượng Thiên (Chữ Hán: 母上天) or Mẫu Đệ Nhất (母第一) is one of the four heavenly mothers in the Four Palaces in Vietnamese folk religion. [1] She is one of the spirits invoked in the form of lên đồng mediumship particularly associated with Đạo Mẫu worship.
The painting Văn quan vinh quy đồ (文官榮歸圖) dated 18th century shows a woman wearing nón Ba tầm. A nón Ba tầm is a traditional Vietnamese flat palm hat. [1] [2] [3] It should be distinguished from other traditional Vietnamese headwear such as the conical nón lá and the coiled turban, khăn vấn.
𤾓 Trăm 𢆥 năm 𥪞 trong 𡎝 cõi 𠊛 người 些， ta, 𤾓 𢆥 𥪞 𡎝 𠊛 些， Trăm năm trong cõi người ta, A hundred years in the realm of humanity, 2) 𡨸 Chữ 才 tài 𡨸 chữ 命 mệnh 窖 khéo 𱺵 là 恄 ghét 𠑬。 nhau. 𡨸 才 𡨸 命 窖 𱺵 恄 𠑬。 Chữ tài chữ mệnh khéo là ghét nhau. Talent and destiny resent each other. 3) 𣦰 ...
Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...