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The form is present in most Shiva temples in South India and is the prime deity in the famous Thillai Nataraja Temple at Chidambaram. [2] The sculpture is usually made in bronze, with Shiva dancing in an aureole of flames, lifting his left leg (in rare cases, the right leg) and balancing over a demon or dwarf (Muyalaka) who symbolizes ignorance ...
The statue, symbolizing Shiva's cosmic dance of creation and destruction, was given to CERN by the Indian government to celebrate the research center's long association with India. [61] A special plaque next to the Shiva statue explains the metaphor of Shiva's cosmic dance with quotations from physicist Fritjof Capra:
On peut aussi reconnaître autour de Shiva, Ganesh, Indra sur sa monture (éléphant) et Vishnou sur Garuda. Les Grottes d'Elephanta sont situées en Inde occidentale, sur l'île d'Elephanta (appelée aussi île de Gharapuri), qui est constituée de deux monticules séparés par une vallée étroite.
A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. [41] [42] [43] He is also known as Sabesan, which means "The lord who dances on the dais".
A plaque made in the 20th century was displayed at the Government Museum in Thanjavur during 2011. This plaque made of the prescribed metals has in the relief images of Nataraja, the sage Pathanjali, and the goddess Sivakami in a standing posture over a lotus flower, encrusted at the plate's central part. [3]
Nataraja in the temple is depicted with eight hands and in a standing posture over the head of a demon. The image is considered to be one of the nine dance poses of Shiva, called Nava tandavam . The temple has sculptural and metallic images of Ganapathi (elephant god), sage Agastya, and the three Shaiva saints: Appar , Sambandar , and Sundarar .
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