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Hafez is best known for his Divān, a collection of his surviving poems probably compiled after his death. His works can be described as " antinomian " [ 6 ] and with the medieval use of the term "theosophical"; the term " theosophy " in the 13th and 14th centuries was used to indicate mystical work by "authors only inspired by the holy books ...
The Divān of Hafez (Persian: دیوان حافظ) is a collection of poems written by the Iranian poet Hafez. Most of these poems are in Persian, but there are some macaronic language poems (in Persian and Arabic) and a completely Arabic ghazal. The most important part of this Divān is the ghazals.
[3] It is the third poem in the collection (The Divān of Hafez) of Hafez's poems, which are arranged alphabetically by their rhymes. In the century after Hafez's death, a famous anecdote was told on how the Mongol conqueror Timur (Tamerlane) met Hafez and criticized him for writing so disrespectfully of Bokhara and Samarkand in this poem.
Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
Sālhā del talab-ē jām-e Jam az mā mīkard is a ghazal by the 14th-century Persian poet Hāfez of Shiraz.It is no. 142 [1] (but in the Ganjoor website, no. 143) in The Divān of Hafez by Muhammad Qazvini and Qasem Ghani (1941), and 136 in the edition of Parviz Natel-Khanlari (1983, 2nd ed.).
Hafez Ibrahim (Arabic: حافظ إبراهيم, ALA-LC: Ḥāfiẓ Ibrāhīm; 1871–1932) was a well known Egyptian poet of the early 20th century. He was dubbed the "Poet of the Nile " , and sometimes the "Poet of the People", for his political commitment to the poor. [ 1 ]
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Dūš dīdam ke malā'ek dar-e meyxāne zadand is a ghazal by the 14th-century Persian poet Hafez of Shiraz.The poem is no. 184 in the edition of Hafez's works by Muhammad Qazvini and Qasem Ghani (1941), [1] and 179 in the edition of Parviz Natel-Khānlari (2nd ed. 1983).