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Here, as is common with wh-questions, there is a rising intonation on the question word, and a falling intonation at the end of the question. In many descriptions of English, the following intonation patterns are distinguished: Rising Intonation means the pitch of the voice rises over time. Falling Intonation means that the pitch falls with time.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In linguistics, a rising declarative is an utterance which has the syntactic form of a declarative but the rising intonation typically associated with polar interrogatives. [1] Rising declarative: Justin Bieber wants to hang out with me? Falling declarative: Justin Bieber wants to hang out with me. Polar question: Does Justin Bieber want to ...
The term boundary tone refers to a rise or fall in pitch that occurs in speech at the end of a sentence or other utterance, or, if a sentence is divided into two or more intonational phrases, at the end of each intonational phrase. It can also refer to a low or high intonational tone at the beginning of an utterance or intonational phrase.
English tag questions can have a rising or a falling intonation pattern. [3] This can be contrasted with Polish, French or German, for example, where all tags rise, or with the Celtic languages, where all fall.
A falling tone is then HM, HL, ML or more generally F, and a rising tone LM, MH, LH or more generally R. These may be presented by themselves (e.g. a rule H + M → F, or a word tone such as LL [two low-tone syllables]), or in combination with a CV transcription (e.g. a high-tone syllable /laH, laᴴ, Hla, ᴴla/ etc.).
Chart invented by the Chinese linguist Yuen Ren Chao illustrating the contours of the four tones of Standard Chinese. When the pitch descends, the contour is called a falling tone; when it ascends, a rising tone; when it descends and then returns, a dipping or falling-rising tone; and when it ascends and then returns, it is called a peaking or rising-falling tone.
In more complex types of pitch-accent languages, although there is still only one accent per word, there is a systematic contrast of more than one pitch-contour on the accented syllable, for example, H vs. HL in the Colombian language Barasana, [5] accent 1 vs. accent 2 in Swedish and Norwegian, rising vs. falling tone in Serbo-Croatian, and a ...