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This is a set of lists of English personal and place names having spellings that are counterintuitive to their pronunciation because the spelling does not accord with conventional pronunciation associations. Many of these are degenerations in the pronunciation of names that originated in other languages.
Also the city in New Hampshire Leicester, Massachusetts: like Lester / ˈ l ɛ s t ər / [n 19] Leicester, Vermont: LY-stər / ˈ l aɪ s t ər / Lemhi County: LEM-hy / ˈ l ɛ m h aɪ / Lemoore: lə-MOR / l ə ˈ m ɔːr / Colloquial pronunciation LEE-mor / ˈ l iː m ɔːr / Official pronunciation Leominster: LEM-in-stər / ˈ l ɛ m ɪ n s t ...
This is a sublist of List of irregularly spelled English names. These common suffixes have the following regular pronunciations, which are historic, well established and etymologically consistent. However, they may be counterintuitive, as their pronunciation is inconsistent with the usual phonetics of English. -b(o)rough and -burgh – / b ər ə /
If the pronunciation in a specific accent is desired, square brackets may be used, perhaps with a link to IPA chart for English dialects, which describes several national standards, or with a comment that the pronunciation is General American, Received Pronunciation, Australian English, etc. Local pronunciations are of particular interest in ...
Pronunciation can change over time. Dictionaries may list the most commonly used forms of words, but as language changes, dictionaries change as well. At best, any guide to suggested pronunciation can reflect the preponderance of usage. A word like immediately, for example, is variously pronounced by Americans as: ihMEEdeeuhtlee; uhMEEdeeuhtlee
Most Italian operas of that period were concentrated on the solo aria. Whereas, Fux's operas employ an ensemble of solo singers and the large arias often use a concertizing solo instrument. Fux's emphasis on contrapuntal structures was conservative and represented the older manner of treating musical texture. [3]
Adjectives ending -ish can be used as collective demonyms (e.g. the English, the Cornish). So can those ending in -ch / -tch (e.g. the French , the Dutch ) provided they are pronounced with a 'ch' /tʃ/ sound (e.g. the adjective Czech does not qualify as its -ch is pronounced /k/ ).
Obrecht's style is an example of the contrapuntal extravagance of the late 15th century. [29] He often used a cantus firmus technique for his masses: [30] sometimes he divided his source material up into short phrases; [31] at other times he used retrograde versions of complete melodies or melodic fragments. [32]