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From the Renaissance era, notated secular and sacred music survives in quantity, including vocal and instrumental works and mixed vocal/instrumental works. A wide range of musical styles and genres flourished during the Renaissance, including masses, motets, madrigals, chansons, accompanied songs, instrumental dances, and many others.
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...
Renaissance Chansons is mainly for those European songs which were extensively developed by many composers or were used (e.g. as cantus firmus) for mass settings, in the period 1400-1600. Pages in category "Renaissance chansons"
This is a list of classical music composers by era. With the exception of the overview, the Modernist era has been combined with the Postmodern. Composers with a career spanning across more than one time period are colored in between their two respective eras.
He synthesized the French and Italian styles, presaging the "international" music typical of the Renaissance. 1410-1415 — Compilation of the Squarcialupi Codex, the largest source of trecento music. c. 1400-c. 1600 Italian Renaissance Music. c. 1420-c. 1490 — Composition of polyphonic music enters a slow period.
M. Mass (music) Mensural notation; Miserere (Josquin) Missa ad fugam; Missa Caput; Missa cuiusvis toni; Missa de Beata Virgine (Josquin) Missa Di dadi; Missa Gaudeamus
Chronological lists of classical composers list composers of classical music in chronological order, either organized by era or style, or by nationality. By era or style [ edit ]
The music of Florence is foundational in the history of Western European music.Music was an important part of the Italian Renaissance.It was in Florence that the Florentine Camerata convened in the mid-16th century and experimented with setting tales of Greek mythology to music and staging the result—in other words, the first operas, setting the wheels in motion not just for the further ...