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The sound made by a bell rung full-circle has two unique subtle features: rapid strike decay and the Doppler effect. Because the clapper strikes the bell as it rises to the mouth upwards position, it rests against the bell's soundbow after the strike.
To ring the bell, the ringer first pulls the sally towards the floor, upsetting the bell's balance and swinging it on its bearings. As the bell swings downwards the rope unwinds from the wheel and the ringer adds enough pull to counteract friction and air resistance.
Bell ringing at St Botolph's Aldgate in the City of London. A "ring of bells" is the name bell ringers give to a set of bells hung for English full circle ringing.The term "peal of bells" is often used, though peal also refers to a change ringing performance of more than about 5,000 changes.
Peal board in St Michael and All Angels' church, Penkridge, Staffordshire, recording the first peal on the new bells in 1832. In campanology (bell ringing), a peal is the special name given to a specific type of performance of change ringing which meets certain exacting conditions for duration, complexity and quality.
A bell-ringer at work in Palekh, Russia. A bell-ringer is a person who rings a bell, usually a church bell, by means of a rope or other mechanism.. Despite some automation of bells for random swinging, there are still many active bell-ringers in the world, particularly those with an advanced ringing tradition such as full-circle or Russian ringing, which are artistic and skilled performances ...
This creates an "echo" effect. The mouth of the bell must rotate around to create the sound change that resembles a tower bell. Usually this is done over a period of three or four beats. Thumb damp provides a staccato sound similar to plucking or malleting on the table. This is often described as a "tinkling" sound.
However it does not have the same sound as full circle ringing due to the absence of the doppler effect derived from bell rotation and the lack of a damping effect of the clapper after each strike. It requires only one person to operate. Each hammer is connected by a rope to a fixed frame in the bell-ringing room.
The highest bell in pitch is known as the treble and the lowest the tenor. The majority of bell towers have the ring of bells (or ropes) going clockwise from the treble. For convenience, the bells are referred to by number, with the treble being number 1 and the other bells numbered by their pitch (2, 3, 4, etc.) sequentially down the scale.
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