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There is a widespread scholarly view that the Gospel of John can be broken into four parts: a prologue, (John 1:–1:18), the Book of Signs (1:19 to 12:50), the Book of Glory (or Exaltation) (13:1 to 20:31) and an epilogue (chapter 21).
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Francesca da Rimini (Russian: Франческа да Римини), Op. 25, is an opera in a prologue, two tableaux and an epilogue by Sergei Rachmaninoff to a Russian libretto by Modest Ilyich Tchaikovsky. It is based on the story of Francesca da Rimini in the fifth canto of Dante's epic poem The Inferno (the first part of the Divine Comedy).
The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [2] Some genres, for example television programs and video games , call the epilogue an "outro" patterned on the use of "intro" for "introduction".
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Prologue in the Theatre. In the first prologue, three people (the theatre director, the poet and an actor) discuss the purpose of the theatre. The director approaches the theatre from a financial perspective, and is looking to make an income by pleasing the crowd; the actor seeks his own glory through fame as an actor; and the poet aspires to create a work of art with meaningful content.
The Prologue is the first section of four books of the Prose Edda, and consists of a euhemerized account of the origins of Norse mythology. According to the Prologue, the Norse gods originate from the Trojans described in Homer 's poetry, and are King Priam 's descendants.
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