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In Vladimir Nabokov's novel, The Gift, the main character Fyodor is a gifted young poet who experiences synesthesia.Fyodor's synesthetic experience of language is compared to that of nineteenth-century French Symbolist poet, Arthur Rimbaud (as expressed in the latter's poem, Voyelles about the perception of colored vowel sounds).
Sonnet 99 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. The sonnet is generally grouped with the preceding two in the sequence, with which it shares a dominant trope and image set: the beloved is described ...
It has been suggested that, in the tradition of Romantic poetry, the sensory transfer consisting in the synaesthesic metaphor tends to be from a lower (less differentiated) sense to a higher sense. In this respect, the sequence of senses from low to high is generally taken to be touch, taste, smell, sound, then sight. [ 4 ]
Synesthesia (American English) or synaesthesia (British English) is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway.
In a scene in the anime Zankyou no Terror, the main character Twelve tells Lisa that he has synesthesia and can "see colors in sounds", using the color of her voice as pale yellow, as an example. In Season 2, Episode 4 of The Listener, synesthesia is a brief topic of dissuasion in the start of the episode.
It has been suggested, for example, that the poem draws on Rimbaud's memories of children's coloured cubes marked with the letters of the alphabet that he may have handled in his infancy. [10] Others have seen the influence on Rimbaud of his reading of esoteric and cabbalistic literature, [ 11 ] [ 12 ] [ 13 ] or of his own conception of the ...
Following that, there is a list of people who are often wrongly believed to have had synesthesia because they used it as a device in their art, poetry or music (referred to as pseudo-synesthetes). Estimates of prevalence of synesthesia have ranged widely, from 1 in 4 to 1 in 25,000 – 100,000.
Semantic associations are how people assign meaning to concepts and play a significant role in certain types of synesthesia, particularly in linguistic-based forms like grapheme-color synesthesia. In these cases, specific letters or words evoke colors, suggesting that semantic processing may link otherwise separate sensory experiences.