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Jan Luiken made the engravings for the popular "sailor's bible" called "Lusthof des Gemoeds", by Jan Philipsz Schabaalje, 1714 Jan Luyken's print of the peat boat used as a ruse by the Dutch to gain possession of Breda from the Spanish in 1590. He was born and died in Amsterdam, where he learned engraving from his father Kaspar Luyken. [1]
Het Menselyk Bedryf ("The Book of Trades") is an emblem book of 100 engravings by Jan Luyken and his son Caspar published in 1694, illustrating various trades in Amsterdam during the Dutch Golden Age. The majority of the trades shown are from the textile industry (12), followed by marine pursuits (8).
Download as PDF; Printable version; ... 17th; 18th; 19th; 20th; 21st; 22nd; Pages in category "17th-century Danish painters" The following 9 pages are in this ...
Caspar Luyken (18 December 1672 – 4 October 1708) was a Dutch illustrator and engraver.He was the son of Jan Luyken, with whom he collaborated extensively. [1]Luyken worked mostly in Amsterdam and produced Het Menselyk Bedryf ("The Book of Trades") with his father in 1694.
Grabado de Jan Luyken para la segunda edición de El Espejo de los Mártires, 1685. Anneken era un ama de casa de Frisia, anabautista desde 1552. En octubre de 1551 fue identificaba en Amsterdam y condenada a muerte. Se ordenó al verdugo llenarle la boca de pólvora, atarla a una escalera y lanzarla a un lecho de carbones ardientes.
The Great Theatre of Dutch Painters and Paintresses, or De groote schouburgh der Nederlantsche konstschilders en schilderessen, as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken.
Art historians pointed out that the scene is not a parody of “The Last Supper” but rather inspired by “The Feast of the Gods,” a 17th century painting of the Greek Olympian gods, by Jan ...
The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]