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The Dead's ex-label responded to the loss of the band by compiling "best-of" and archive albums, beginning with Skeletons from the Closet, just months after the release of Wake of the Flood. All of the songs but "Let Me Sing Your Blues Away" and the first parts of "Weather Report Suite" remained in setlists throughout the existence of the band ...
Let It Grow may refer to: A song by Eric Clapton recorded on 461 Ocean Boulevard; A song by John Perry Barlow and Bob Weir, Part II of the "Weather Report Suite", first recorded by the Grateful Dead on Wake of the Flood; A song by Renaissance on the album Ashes Are Burning; A song featured in the movie The Lorax which became an Internet meme in ...
"Fee-fi-fo-fum" is the first line of a historical quatrain (or sometimes couplet) famous for its use in the classic English fairy tale "Jack and the Beanstalk".The poem, as given in Joseph Jacobs' 1890 rendition, is as follows: [1]
Silence the inner critic, says New Mexico Poet Laureate Lauren Camp, who recommends writing for yourself, without judgment.
Folksinger Country Joe McDonald set some of Service's World War I poetry (plus "The March of the Dead" from his first book), to music for his 1971 studio album, War War War. Folksinger Jim Ratts read some of Service's poetry for his 1993 studio album, "Buckwheat at Your Service: The Readings of Robert Service." Raven Records RVNCD9303.
Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
War memorial in ChristChurch Cathedral, Christchurch, New Zealand CWGC headstone with excerpt from "For The Fallen". Laurence Binyon (10 August 1869 – 10 March 1943), [3] a British poet, was described as having a "sober" response to the outbreak of World War I, in contrast to the euphoria many others felt (although he signed the "Author's Declaration" that defended British involvement in the ...
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.