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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The animals are most often horses, but there are surprising numbers of both Bactrian camels and their Central Asian drivers, distinguished by thick beards and hair, and their facial features. The depictions are realistic to a degree unprecedented in Chinese art, [3] and the figures give archaeologists much useful information about life under ...
The Six Steeds of Zhao Mausoleum (simplified Chinese: 昭陵六骏; traditional Chinese: 昭陵六駿; pinyin: Zhāolíng Liùjùn) are six Tang (618–907) Chinese stone reliefs of horses (1.7m x 2.0m each) which were located in the Zhao Mausoleum, Shaanxi, China. Zhao Mausoleum is the mausoleum of Emperor Taizong of Tang (r. 626–649).
Feeding horses was a significant problem, [citation needed] and many people were driven from their land so that the Imperial horses would have adequate pastures. Climate and fodder south of the Yangtze River were unfit for horses raised on the grasslands of the western steppes. [8] The Chinese army lacked a sufficient number of good quality horses.
Two sancai-glazed Tang dynasty tomb figures, early 8th century, Prague National Gallery Female horse rider, Tang dynasty. Ferghana horses (Chinese: 大宛馬 / 宛馬; pinyin: dàyuānmǎ / yuānmǎ; Wade–Giles: ta-yüan-ma / yüan-ma) were one of China's earliest major imports, originating in from the Fergana Valley in Central Asia. [1]
An iconography of a work of art is the analysis of the visual images and symbols employed. [12]As an expressional subject matter, this figurine of a horse is depicted proportionally and realistically, with great attention paid to its anatomical accuracy, colour treatment, texture and embellishments.
A section of a Chinese Eastern Han Dynasty (25–220 AD) fresco of 9 chariots, 50 horses, and over 70 men, from a tomb in Luoyang, China, which was once the capital of the Eastern Han. Date 12 June 2008
Gong Kai, Jun Gu a Noble Horse, Osaka Municipal Museum of Fine Arts in the Abe Collection. Jun Gu a Noble Horse is Gong Kai's most famous painting. This Yuan dynasty painting was created using ink on a paper hand scroll. Horses were considered a specialty of Gong Kai, specifically those drawn in the style of the Tang dynasty.