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Manet's unidentified man wears a tie secured with a jewel at the neck, a shawl-collared waistcoat, and a contrasting coat, 1860. George Augustus Sala wears an overcoat with black velvet collar, wide lapels, and deep cuffs over a frock coat, waistcoat, and tweed trousers. He wears leather gloves and carries a top hat. c. 1860–1865.
Evening wear was worn with a white bow tie and a shirt with the new winged collar. Topcoats had wide lapels and deep cuffs, and often featured contrasting velvet collars. Furlined full-length overcoats were luxury items in the coldest climates. Full-length trousers were worn for most occasions; tweed or woollen breeches were worn for hunting ...
The most formal evening dress remained a dark tail coat and trousers with a dark or light waistcoat. Evening wear was worn with a white bow tie and a shirt with a winged collar. The less formal dinner jacket or tuxedo, which featured a shawl collar with silk or satin facings, now generally had a single button. Dinner jackets, worn with a white ...
It matched with the tight fit women's small waist in the design, and the shoulder sleeve seamline was drooped more to show a tighter fit on the arm. This eventually limited women's movements with the sleeves. However, as crinolines started to develop in fashion, sleeves turned to be like large bells which gave the dress a heavier volume.
The shirtwaist, a costume with a bodice or waist tailored like a man's shirt with a high collar, was adopted for informal daywear and became the uniform of working women. Wool or tweed suit (clothing) called tailor-mades or (in French) tailleurs featured ankle-length skirts with matching jackets; ladies of fashion wore them with fox furs and ...
Generally, traditional waistcoats are made from linen, silk, [1] [26] or wool. [27] Spanish man-about-town Victor Peñasco in morning suit, with waistcoat with shawl collar, 1912. Waistcoats may be either single-breasted, with or without lapels, or double-breasted with lapels. [1]
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