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Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter. [1]He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century.
The Six Steeds of Zhao Mausoleum (simplified Chinese: 昭陵六骏; traditional Chinese: 昭陵六駿; pinyin: Zhāolíng Liùjùn) are six Tang (618–907) Chinese stone reliefs of horses (1.7m x 2.0m each) which were located in the Zhao Mausoleum, Shaanxi, China. Zhao Mausoleum is the mausoleum of Emperor Taizong of Tang (r. 626–649).
The presence of horses in Chinese art was particularly notable during the Tang dynasty, when many masterpieces prominently featured these animals. Noteworthy examples include the famous Flying Horse of Gansu [16] and the Six Steeds of Zhao Mausoleum. The horse emerged as a distinct artistic subject early in Chinese history. [17]
Feeding horses was a significant problem, [citation needed] and many people were driven from their land so that the Imperial horses would have adequate pastures. Climate and fodder south of the Yangtze River were unfit for horses raised on the grasslands of the western steppes. [8] The Chinese army lacked a sufficient number of good quality horses.
Two sancai-glazed Tang dynasty tomb figures, early 8th century, Prague National Gallery Female horse rider, Tang dynasty. Ferghana horses (Chinese: 大宛馬 / 宛馬; pinyin: dàyuānmǎ / yuānmǎ; Wade–Giles: ta-yüan-ma / yüan-ma) were one of China's earliest major imports, originating in from the Fergana Valley in Central Asia. [1]
An iconography of a work of art is the analysis of the visual images and symbols employed. [12]As an expressional subject matter, this figurine of a horse is depicted proportionally and realistically, with great attention paid to its anatomical accuracy, colour treatment, texture and embellishments.
At the rear are two horses and two camels. These larger statues would have been created in parts and then assembled using slip to join the parts. The camels were used as beasts of burden to carry goods around China and for import and export along the silk route. Horses were also useful but they imported exotic breeds into China.
"Night-Shining White" (Chinese: 照夜白圖) is a monochrome ink-on-paper painting by the Chinese artist Han Gan. It is an example of Tang dynasty painting, created in the middle of the 8th century (circa 750). The work depicts a cavalry horse owned by the Emperor Xuanzong (reign 712–56) of the Tang dynasty, tethered to a post. It is ...
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