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A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Rangoli - art form originating from the Indian subcontinent Religious art – Art with religious subjects Shamsa – Intricately decorated rosette or medallion which is used in many contexts, including manuscripts, carpets, ornamental metalwork and architectural decoration such as the underside of domes Pages displaying wikidata descriptions as ...
Aipan is taken from the word Lepana from Sanskrit, which means plaster. Aipan art is similar in different areas of India, it is also known by separate names. [3] Aipan (in Kumaon) Aipona (in Bengal and Assam) Aripana (in Bihar and Uttar Pradesh) Mandana (in Rajasthan and Madhya Pradesh) Rangoli (in Gujarat and Maharashtra) Kolam (in South India)
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
During Holi in Punjab, walls and courtyards of rural houses are enhanced with drawings and paintings similar to rangoli in South India, mandana in Rajasthan, and rural arts in other parts of India. This art is known as chowk-poorana or chowkpurana in Punjab and is given shape by the peasant women of the state. In courtyards, this art is drawn ...
Jhoti chita (Odia: ଝୋଟି ଚିତା, romanized: jhoṭi citā) is a traditional Odia white art mostly shown in rural areas of Odisha. It is made from rice paste and with a piece of cloth surrounded with a stick is used to create beautiful patterns. [1] People also use their bare fingers to make jhoti chita. They can be created over ...
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
viseshakacchedya — art of painting the face and body with colored unguents and cosmetics. tandula-kusuma-bali-vikara — art of preparing offerings from rice and flowers. pushpastarana — art of making a covering of flowers for a bed. dasana-vasananga-raga — art of applying preparations for cleansing the teeth, clothes, and painting the body.