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The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música mexicana-tejana). In a traditional 12-string setup, the lower four ...
The bajo sexto (Spanish: "sixth bass") is a Mexican string instrument from the guitar family with 12 strings in six double courses. It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick. Its original design ...
A Mexican guitarrón player in a traditional Mariachi uniform. The guitarrón mexicano ( Spanish for "big Mexican guitar", the suffix -ón being a Spanish augmentative ) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass guitar played traditionally in Mariachi groups.
The Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) backs. The Mexican vihuela is tuned similarly to the guitar. The difference is that the open G, the D and the A strings are tuned an octave higher than a guitar thus giving it a tenor sound or a higher pitch.
From the guitarron and the requinto to the guiro and the tololoche, these are some of the instruments responsible for música Mexicana's distinct qualities.
Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord; Root (chord ...
The jarana jarocha is a guitar-shaped fretted stringed instrument from the southern region of the state of Veracruz, Mexico. Typically strung with 8 strings in 5 courses, usually arranged in two single outer strings with three double-courses in between. The strings are usually nylon, although they were gut in the past.
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1] It is otherwise known as the minor ...
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