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3. Therefore, if naturalism is true, then no belief is rationally inferred (from 1 and 2). 4. We have good reason to accept naturalism only if it can be rationally inferred from good evidence. 5. Therefore, there is not, and cannot be, good reason to accept naturalism. [1] In short, naturalism undercuts itself.
À rebours (French pronunciation: [a ʁ(ə).buʁ]; translated Against Nature or Against the Grain) is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete .
The book is a treatise on capitalism in the United States and "value creation," by way of literary criticism. The author examines topics such as the alienation of property, the proclivity for masochism , and the battle over free silver , analyzing the cultural forms these phenomena affect and shape.
Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality.
The evolutionary argument against naturalism (EAAN) is a philosophical argument asserting a problem with believing both evolution and philosophical naturalism simultaneously. The argument was first proposed by Alvin Plantinga in 1993 and "raises issues of interest to epistemologists , philosophers of mind, evolutionary biologists, and ...
Neo-romanticism as well as Romanticism is considered in opposition to naturalism—indeed, so far as music is concerned, naturalism is regarded as alien and even hostile (Dahlhaus 1979, 100). In the period following German unification in 1871, naturalism rejected Romantic literature as a misleading, idealistic distortion of reality.
Charles-Marie-Georges Huysmans (US: / w iː s ˈ m ɒ̃ s /, [1] French: [ʃaʁl maʁi ʒɔʁʒ ɥismɑ̃s]; 5 February 1848 – 12 May 1907) was a French novelist and art critic who published his works as Joris-Karl Huysmans (French: [ʒɔʁis kaʁl-], variably abbreviated as J. K. or J.-K.).
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.