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Ramin Djawadi (born 19 July 1974) is an Iranian-German [1] [2] [3] film score composer, conductor, and record producer.He is known for his scores for the HBO series Game of Thrones, for which he was nominated for Grammy Awards in 2018 and 2020. [4]
The song was recorded as a slower country ballad by Patti Page; coincidently the series of Prisoner was enormously popular in the United States, where it was known as Prisoner: Cell Block H. [12] The song was rerecorded and released by singer Ella Hooper to coincide with Foxtel's Australian re-run of the series, which started in March 2011. [13]
Mission: Impossible – Ghost Protocol (Music from the Motion Picture) is the score album to the 2011 film Mission: Impossible – Ghost Protocol.The fourth installment in the Mission: Impossible film series, starring Tom Cruise, and the sequel to Mission: Impossible III (2006), the film is directed by Brad Bird (in his live-action debut) and featured musical score composed by Michael ...
Brian May – lead guitar, backing vocals, synthesisers, piano, organ, [18] co-lead vocals on "Flash's Theme" [19] Roger Taylor – drums, timpani, backing vocals, synthesisers; John Deacon – bass guitar, guitar, synthesisers; Additional personnel. Howard Blake – additional orchestral arrangements
Various artists have covered the song, including The Azoic in 2004, the Sugababes, Karen O from The Yeah Yeah Yeahs recorded a version which was the theme to a tv show called Flesh and Bone The song is featured in a scene in the 2022 film Fresh, in which Sebastian Stan’s character dances to the song while preparing human meat for consumption.
Prison Break is the first soundtrack of the American television series Prison Break, composed by Ramin Djawadi, and was released in 2007, bringing together the music used for seasons 1 and 2. Released in August 2007, the album includes 31 songs composed specially for seasons 1 and 2 of Prison Break , although several of these titles were ...
This is the final movie in the Harry Potter series to use Hedwig's Theme in its original, gradually building form during the opening (until the credits of Deathly Hallows Part 2). This version includes a slightly more ominous celesta melody, and retains the woodwind melody, but features a short harp motif at the end.
As the theme music begins a runway (believed to be Santa Pod Raceway in Podington in real life) [1] appears and a Lotus Super Seven drives under the camera (driven by stuntman Jack Cooper). The view dissolves to reveal a stern-faced man, the future Number Six , driving past the Houses of Parliament in London, into an underground car park (near ...
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