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In Egyptian mythology, the Ogdoad (Ancient Greek: ὀγδοάς "the Eightfold"; Ancient Egyptian: ḫmnyw, a plural nisba of ḫmnw "eight") were eight primordial deities worshiped in Hermopolis. The earliest certain reference to the Ogdoad is from the Eighteenth Dynasty, in a dedicatory inscription by Hatshepsut at the Speos Artemidos. [2]
The concept of an Ogdoad (Greek: ὀγδοάς) appears in Gnostic systems of the early Christian era, and was further developed by the theologian Valentinus (ca. 160 AD). The number eight plays an important part in Gnostic systems, and it is necessary to distinguish the different forms in which it appeared at different stages in the ...
Interior view of the Pantheon showing the oculus of the building. Many ancient Roman temples were constructed for religious purposes. The most influential example is the Pantheon. Pantheon is a Greek adjective meaning “honor all Gods”, in fact it was first built as a temple to all gods.
Ancient Greek architecture came from the Greeks, or Hellenes, whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. [1]
These nonce orders all express the "speaking architecture" (architecture parlante) that was taught in the Paris courses, most explicitly by Étienne-Louis Boullée, in which sculptural details of classical architecture could be enlisted to speak symbolically, the better to express the purpose of the structure and enrich its visual meaning with ...
Kapsala figures show a tendency to slenderness, especially in the legs, which are much longer and lack the powerful musculature suggested in earlier forms of the sculptures. The shoulders and hips are much narrower as well, and the figures themselves are rarely larger than 30 cm in length.
Ottonian architecture was known for its elaborate mosaics, frescoes, and sculptures that incorporated both Byzantine and local traditions. Manuscripts from the period also show the richness of Ottonian visual culture. [160] Ottonian rulers built grand palaces, continuing the Carolingian legacy of the Aachen Palace, but with added sophistication.
The pediment begins in Ancient Greek architecture; according to the mid-fifth century BCE poet Pindar, it was a Corinthian invention. [4] It is possible that it was devised specifically to contain sculpture, which from the early 6th century became "customary (though never obligatory)" in Doric temples; in Ionic ones it was a "rarity". [5]