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The green-gray note, which had a size of 141 mm × 65 mm (5.6 in × 2.6 in) and weighed 80 g (2.8 oz), featured the image of the national hero Mohammad Husni Thamrin on its obverse and depictions of the Sianok Canyon, the Tari Piring traditional dance, and champaka flower [4] on its reverse. Its security features include microtext, intaglio ...
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.
The Indonesian one thousand rupiah coin (Rp1,000) is a coin of the Indonesian rupiah.It circulates alongside the 1,000-rupiah banknote. First introduced on 8 March 1993 as bimetallic coins, they are now minted as unimetallic coins, with the first of its kind appearing in 2010 and its latest revision being in 2016.
100-, 200-, 500-, and 1000-rupiah coins from 1999, 2003, and 2010 series. The first coins of the Indonesian rupiah were issued in 1951 and 1952, a year or so later than the first Indonesian rupiah banknotes printed, following the peace treaty with the Netherlands in November 1949.
Multiple terms have been proposed to describe the native inhabitants of Eastern Indonesia.“Papuans” (Indonesian: Orang Papua) is the preferred term (especially in Indonesian and English) for inhabitants of New Guinea, since it is based on actual native nomenclature used by as recorded in several ancient native evidences.
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
A dance known as cendrawasih was designed by I Gde Manik and was first performed in the Sawan subdistrict of the Buleleng Regency in the 1920s; the area is the origin of numerous dances, including Trunajaya, Wirangjaya, and Palawakya.