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Marcel Duchamp's studio at 33 West 67th Street, New York City, 1917–18. Shown to the left is the 2nd version of Bicycle Wheel, 1916-17.The original 1913 version and this 2nd version are lost.
Duchamp drew the goatee in black ink with a fountain pen, and wrote "Moustache par Picabia / barbiche par Marcel Duchamp / avril 1942". [ 1 ] As was the case with a number of his readymades, Duchamp made multiple versions of L.H.O.O.Q. of differing sizes and in different media throughout his career, one of which, an unmodified black and white ...
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
About the sculpture, Duchamp said: "It is a Readymade in which the sugar is changed to marble. It is sort of a mythological effect." [2]An explanation for the piece given by Duchamp involves the coldness of the marble cubes, the "heat-giving" properties of the sugar cubes, the thermometer evaluating temperature, and the sneezing that can result from cold.
Marcel Duchamp, 1919, L.H.O.O.Q., originally published in 391, n. 12, March 1920 Artist Marcel Duchamp and Francis Picabia: Year First conceived in 1919 Creation location Type Height Width Depth Units City Museum/Gallery Source Permission Other notes
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