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Carmina Burana (/ ˈ k ɑːr m ɪ n ə b ʊ ˈ r ɑː n ə /, Latin for "Songs from Benediktbeuern" [Buria in Latin]) is a manuscript of 254 [1] poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century.
Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana.Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").
"O Fortuna" in the Carmina Burana manuscript (Bavarian State Library; the poem occupies the last six lines on the page, along with the overrun at bottom right. "O Fortuna" is a medieval Latin Goliardic poem which is part of the collection known as the Carmina Burana, written in the early 13th century.
"O Fortuna" is a movement in Carl Orff's 1935–36 cantata Carmina Burana. It begins the opening and closing sections, both titled "Fortuna Imperatrix Mundi". The cantata is based on a medieval Goliardic poetry collection of the same name, from which the poem "O Fortuna" provides the words sung in the movement. It was well-received during its ...
"In taberna quando sumus" (English: "When we are in the tavern") is a medieval Latin Goliardic poem, part of the collection known as the Carmina Burana, written between the 12th and early 13th centuries. [1] It was set to music in 1935/36 by German composer Carl Orff as part of his Carmina Burana which premiered at Frankfurt Opera on 8 June
Carmina Burana, Benediktbeuern Abbey, a collection of goliard love and vagabond songs. The goliards were a group of generally young clergy in Europe who wrote satirical Latin poetry in the 12th and 13th centuries of the Middle Ages. They were chiefly clerics who served at or had studied at the universities of France, Germany, Spain, Italy, and ...
A text beginning substantially the same as the 1582 "Piae" version is also found in the German manuscript collection Carmina Burana as CB 142, where it is substantially more carnal; CB 142 has clerics and virgins playing the "game of Venus" (goddess of love) in the meadows, while in the Piae version they are praising the Lord from the bottom of ...
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